I drew this scene from the new Twin Peaks, because I just loved that the show could slow down and just show the sheriff’s men walking through the forest. Not just one quick shot. A series. The sounds of the birds. No talking. Also, I loved the backpacks.
Twin Peaks continues to be a delight. Every episode feels like a journey. I say to Manien “Wow, it felt like a lot happened in that one!” after every one. Only a few left now.
I was feeling like doing some drawings and thought to revisit David Lynch’s Interview Project from 2009. Lots of interesting regular people to draw.
Watching these interviews had me pondering David Lynch’s interest in small town America, and the darkness in it. Run down areas. Things both ugly and beautiful. Horrible yet sublime. Blue Velvet. Twin Peaks. The Straight Story.
There is also something from my previous Twin Peaks drawing that I have been thinking about a lot. The feeling of when you are deep inside something, a project, a scene, a relationship and it feels like this massive overwhelming thing to you. But from outside, it looks like… what is that person even doing? It looks like nothing. Or from a slightly different angle, I am reminded of the end of Lord of the Flies. Or one Peter Straub story the Buffalo Hunter, where a guy was quietly going crazy in his hotel room. Someone intersects with your craziness and can’t fathom how you got there. Which inspired me to draw another scene from the new Twin Peaks. Another lovely pause.